I don't really get the question tbh... the gimmicks didn't really come in until ~1985 and MLP had been running for a good four years at that point, so they were obviously already popular.
Multiple characters always wins over same few, different attitude imo
We love variety. Just look at all the custom threads for proof of that xxx
Some gimmicks are take it or leave it, others rock socks due to sheer simplicity (Baby Sea Pony+ float= bath toy for example of simplicity)
But variety to me is the spice of Ponies & always has been
I think there's a distinction to be drawn between gimmicks and differentiation of design or character development.
I definitely think variety and the collector mentality were a big part of MLP’s original appeal. That’s why the Core Seven/Mane Six marketing has always baffled me. :shrug: Obviously you want to keep popular characters available to newcomers... But on the other hand, if there’s always something new and exciting, the existing audience will STAY hooked and scramble to keep up with new releases. I’d be genuinely interested in hearing Hasbro’s marketing department explain the pros and cons of the different approaches they’ve taken over the years. :wonder:The Core 7/Mane Six thing makes sense on the show end, since it's easier to develop a smaller cast. But it's a problem when that turns into a an overabundance of minimally-different toys of the same characters on the toyline end.
In short, I don’t think MLP would have really taken off if they hadn’t continued to expand and innovate the way they did. Today, MLP is an established brand with a lot of history and nostalgia in its corner... but when it was just getting started, the massive cast of characters and variety of styles and gimmicks helped set it apart from the competition.Agreed.
Many kids I knew who had tons of ponies never watched the cartoons. I never had any ponies from the shows except Firefly and I think that would have really bothered me if most of my MLP experience had been through animation, books, comics, etc. But since G1 was toy-first I just made up my own stories.
Maybe having a great story and a great toy line together is not so sustainable? I’m having trouble thinking of something that has.
Well, the cartoon tried to be an encompassing canon for as long as it lasted, giving all the new ponies and playsets days in the sun throughout its run (although some only got one or two appearances because of how much there was to cover).
I think the cartoon was in important driving force for G1's sales, but you're right that G1 MLP wasn't dependent on it like Transformers was.
Regarding FiM: Frankly, the lack of cast variety in the toyline from how badly oversaturated the Mane 6 were makes it hard to build the official G4 world too. After all, the official G4 world isn't predominantly populated by an endless supply of Mane 6 clones.
Well, the cartoon tried to be an encompassing canon for as long as it lasted, giving all the new ponies and playsets days in the sun throughout its run (although some only got one or two appearances because of how much there was to cover).
I think the cartoon was in important driving force for G1's sales, but you're right that G1 MLP wasn't dependent on it like Transformers was.
Maybe having a great story and a great toy line together is not so sustainable? I’m having trouble thinking of something that has.
80s Transformers found themselves backed into a corner by the toyline/storyline conflict of interests. The established characters were beloved and iconic, but it was hard to keep squeezing in new characters as new toys were released. So... they decided to kill off all of those beloved characters in the theatrical film to make room for the new lineup. XD That uh... ended up being a controversial move.
Maybe having a great story and a great toy line together is not so sustainable? I’m having trouble thinking of something that has.
80s Transformers found themselves backed into a corner by the toyline/storyline conflict of interests. The established characters were beloved and iconic, but it was hard to keep squeezing in new characters as new toys were released. So... they decided to kill off all of those beloved characters in the theatrical film to make room for the new lineup. XD That uh... ended up being a controversial move.
I still find it wild that they thought that was the best way to replace their cast. Can you imagine if they'd done that for MLP instead of quietly disappearing previous ponies? "Hey look kids, it's your friends Firefly and Sparkler and Applejack running over to greet you--OH NO, MONSTERS JUST ATTACKED! DEAD, THEY'RE ALL DEAD! GRUESOMELY EXECUTED BEFORE YOUR VERY EEEEEYES!!! So anyway, this is Magic Star, buy her toy."
Maybe having a great story and a great toy line together is not so sustainable? I’m having trouble thinking of something that has.
80s Transformers found themselves backed into a corner by the toyline/storyline conflict of interests. The established characters were beloved and iconic, but it was hard to keep squeezing in new characters as new toys were released. So... they decided to kill off all of those beloved characters in the theatrical film to make room for the new lineup. XD That uh... ended up being a controversial move.
I still find it wild that they thought that was the best way to replace their cast. Can you imagine if they'd done that for MLP instead of quietly disappearing previous ponies? "Hey look kids, it's your friends Firefly and Sparkler and Applejack running over to greet you--OH NO, MONSTERS JUST ATTACKED! DEAD, THEY'RE ALL DEAD! GRUESOMELY EXECUTED BEFORE YOUR VERY EEEEEYES!!! So anyway, this is Magic Star, buy her toy."
Well, yeah, it's a regional thing. You had said "The assumption G1 didn't have any overriding story canon is really true in America", and I was countering that in fact the cartoon tried to serve as one here (for as long as it lasted) as well as a sales-driving force.Well, the cartoon tried to be an encompassing canon for as long as it lasted, giving all the new ponies and playsets days in the sun throughout its run (although some only got one or two appearances because of how much there was to cover).
I think the cartoon was in important driving force for G1's sales, but you're right that G1 MLP wasn't dependent on it like Transformers was.
That's also probably regional. I am pretty sure aside the movie nothing MLP (except MAYBE RAMC in the early eighties) aired on TV in the UK until after G1 had ended (in 1995). (LITERALLY closing the gate after a bolting horse!) And then it was on Sky1, I think...which was a cable channel. We had to borrow videos from a friend as we didn't have cable then.
Maybe having a great story and a great toy line together is not so sustainable? I’m having trouble thinking of something that has.
80s Transformers found themselves backed into a corner by the toyline/storyline conflict of interests. The established characters were beloved and iconic, but it was hard to keep squeezing in new characters as new toys were released. So... they decided to kill off all of those beloved characters in the theatrical film to make room for the new lineup. XD That uh... ended up being a controversial move.
I still find it wild that they thought that was the best way to replace their cast. Can you imagine if they'd done that for MLP instead of quietly disappearing previous ponies? "Hey look kids, it's your friends Firefly and Sparkler and Applejack running over to greet you--OH NO, MONSTERS JUST ATTACKED! DEAD, THEY'RE ALL DEAD! GRUESOMELY EXECUTED BEFORE YOUR VERY EEEEEYES!!! So anyway, this is Magic Star, buy her toy."
^Mind you, given all the horrible monster attacks throughout G1 I've seen some people speculate that stuff like that happened off-camera.Well, yeah, it's a regional thing. You had said "The assumption G1 didn't have any overriding story canon is really true in America", and I was countering that in fact the cartoon tried to serve as one here (for as long as it lasted) as well as a sales-driving force.Well, the cartoon tried to be an encompassing canon for as long as it lasted, giving all the new ponies and playsets days in the sun throughout its run (although some only got one or two appearances because of how much there was to cover).
I think the cartoon was in important driving force for G1's sales, but you're right that G1 MLP wasn't dependent on it like Transformers was.
That's also probably regional. I am pretty sure aside the movie nothing MLP (except MAYBE RAMC in the early eighties) aired on TV in the UK until after G1 had ended (in 1995). (LITERALLY closing the gate after a bolting horse!) And then it was on Sky1, I think...which was a cable channel. We had to borrow videos from a friend as we didn't have cable then.
I esteem the cartoon to be the primary canon for the US, at least through its run, because through its 1984-1987 run of 2 specials, a movie, and 61 eleven-minute episodes it incorporated as many of the ponies and playsets as possible into one big ongoing story and world, changing or overwriting backcard bios as it pleased (The Transformers did much the same). Cost, runtime, the need to advertise new product, and the sheer number of ponies limited how much each character could be fleshed out, of course, but it still managed to give life an personality to plenty of ponies and locales, and send them on adventures (like the comics did in the UK and elsewhere) before Griffin-Bacal capped it.
I esteem the cartoon to be the primary canon for the US, at least through its run, because over its 1984-1987 run of 2 specials, a movie, and 61 eleven-minute episodes (not counting the 2-episode split versions of the specials) it incorporated as many of the ponies and playsets as possible into one big ongoing story and world, changing or overwriting backcard bios as it pleased (The Transformers did much the same). Cost, runtime, the need to advertise new product, and the sheer number of ponies limited how much each character could be fleshed out, of course, but it still managed to give life an personality to plenty of ponies and locales, and send them on adventures (like the comics did in the UK and elsewhere) before Griffin-Bacal capped it.
I tend to think of the backcard stories on either side of the pond as supplemental canon (at least where not contradicted by the larger story material); a set of brief "Who's who" stories for each pony.
By the time the show aired, the Dream Castle (and subsequently, Majesty) was no longer available in stores, at least where I lived. Therefore, nothing was to be benefitted by featuring ponies that couldn't be purchased...even the movie was a big fat promotion for the Paradise Estate, and the TV show featured other, newer playsets and the ponies that came with them, i.e. Baby Half Note and the Baby Bonnet school of dance, as well as Scoops and the Satin Slipper. I'm actually surprised that Spike was so heavily featured, when there was no way to purchase him at that point (although he did become available by mail order somewhere in those years).I think it's because he was one of the few male characters as well as a non-pony character, and thus gave a little extra cast variety. He became a mail-order at the time of the movie.
I've seen some people question why Majesty never appeared in the cartoon, and I think I have the answer (beyond the factor of Megan also supplying a leader role; she didn't start that way after all). The answer comes to me from the production bible for sister series The Transformers, where the character Buzzsaw had a note saying he was to be used sparingly; this is because he was bundled in with Soundwave and thus didn't need to be advertised.
Majesty is in a similar boat - between Dream Castle itself being advertised, and the other pack-in character Spike being advertised, she didn't also need to be worked in. I'm fairly sure the same applies to Sundance and Baby Sundance's minimal screentime.
Where's the thread for that? That would be interesting. And actually, she did get a mail-order rerelease, but I believe it was after the show ended.By the time the show aired, the Dream Castle (and subsequently, Majesty) was no longer available in stores, at least where I lived. Therefore, nothing was to be benefitted by featuring ponies that couldn't be purchased...even the movie was a big fat promotion for the Paradise Estate, and the TV show featured other, newer playsets and the ponies that came with them, i.e. Baby Half Note and the Baby Bonnet school of dance, as well as Scoops and the Satin Slipper. I'm actually surprised that Spike was so heavily featured, when there was no way to purchase him at that point (although he did become available by mail order somewhere in those years).I think it's because he was one of the few male characters as well as a non-pony character, and thus gave a little extra cast variety. He became a mail-order at the time of the movie.
Rescue at Midnight Castle and Escape from Katrina are part of the cartoon, and they both feature Dream Castle; it was on the shelves when they originally aired..
@ZeldatheHorseman - I just can't stand Megan. xD. She was blissfully absent from 95% of the comics. It was wonderful. The ponies got to save each other themselves.
Rollerskating - rollerskating outfit nudge? Or too early? I am not sure what year ponywear happened in the US.
Rollerskating - rollerskating outfit nudge? Or too early? I am not sure what year ponywear happened in the US.
I'm fairly sure the only reason she is on roller skates is because Hasbro knew they were making a rollerskating accessory pack (seems like an extremely random thing to throw in otherwise). But possibly the full outfit hadn't been designed yet at that point, because if it had I'm sure she would've been wearing it. :biggrin:
Rollerskating - rollerskating outfit nudge? Or too early? I am not sure what year ponywear happened in the US.Ponywear was out in 1984, so I am pretty sure that's a nudge for Great Skates, yes. The animators evidently working from the finalized product, though, since the skates don't match up and she doesn't have the rest of the paraphernalia (as opposed to when pony wear showed up in the regular episodes). It inspired me to buy Great Skates, and Glory.
@ZeldatheHorseman - I just can't stand Megan. xD. She was blissfully absent from 95% of the comics. It was wonderful. The ponies got to save each other themselves.Aw, I like her. She's kinda like MLP's equivalent of Dorothy (book Dorothy in particular). And the way I see it, it was her pony friends who molded her into a leader in the first place.
Dressed like a Dream is at the end of Escape from Catrina :) Don't think the rollerskates outfit is in that though. It would've been out in the UK at that time but maybe not in the US.Great Skates was out in the US the preceding year, so by the time of EfC it was last year's product. "Dressed Like a Dream" features:
@Taffeta
Megan's dress in "Dressed Like a Dream" is the one her first release in the US came with, and that's the only time it shows up. At all other times she's either in outfits made up for the cartoon, or "Megan and Pony Wear" outfits.=
I think the main reason pony was as successful as it was, was the Gotta catch em all! aspect. Most people know kids and adults alike like to collect things, don't we? But it's less of a collect-a-thon with the same thing being put out. I still really like G4 for what it is but I think Hasbro has totally forgotten what made MLP a success. And I hate to say it but I don't anticipate them remembering that unless somebody like us comes in and makes them go back to creating different characters.
As a kid, it was pretty much impossible for me to "catch them all" before stores moved to the next set. I just didn't have that kind of money and my parents were not going to buy me all the ponies. I got them as presents for my birthday and Christmas and that was it. So I just picked my favorites. I never knew any kids that had all of the ponies. Most of us only had a few each.